Abstract: The first decade of the twenty-first century witnessed an upsurge and a flourishing of time travel fiction in China, which is physically, logically, and/or humanly impossible. The boom of this new narrative genre has been fueled in no small part by the so-called “postmodernist turn” coupled with the “historiographical turn”, to the degree that it is no longer possible to read it along the lines of traditional narrative theory. With contemporary Chinese time travel fiction as its central concern, this article pursues four major goals: 1) to uncover its dominant unnatural patterns and means of time travel, 2) to reveal its unnaturalness from such perspectives as metalepsis, prolepsis, self-contradictory narration, and multiperson narration, 3) to examine its consequences and values of being unnatural, and 4) to offer a way of naturalizing it by suggesting the intersection of unnatural narratology with ethical narratology.
Bio: Biwu Shang is a Distinguished Research Fellow of English at Shanghai Jiao Tong University, editor of Frontiers of Narrative Studies. His areas of research include narrative theory, ethical literary criticism, and contemporary Anglo-American fiction. He is the author of two critical monographs (In Pursuit of Narrative Dynamics, 2011; Contemporary Western Narratology: Postclassical Perspectives, 2013). His writings were published or are forthcoming in such journals as Style, Journal of Literary Semantics, CLCWeb: Comparative Literature and Culture, Semiotica, Neohelicon, Primerjalna Književnost, and arcadia: International Journal of Literary Studies.