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Curie Virag: “The Garden as a Site of Pleasure in China and Byzantium: What We Can Learn from Comparing Medieval Traditions”
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Events
- Liberal Arts Collective Podcast Series - every Thursday
- Leila Pazargadi (Nevada State College), "Autographics & The Archive: Visualizing Memory & Trauma in Southwestern Asian Graphic Memoirs"
- Zelideth Rivas (Marshall College), “Displaced evidence: Archival research and oral history across languages and cultures.”
- Robin Visser (UNC-Chapel Hill), "Sinophone Anti-Epics of the Anthropocene"
- Rose Jolly (Penn State), on TBA
- 2014 Penn State Marathon Reading
- Aimee Kwon (Duke University), CANCELLED
- Alan Golding, "Avant-gardism Against Itself: 'Conversation' and the Reader Critic in the Little Review"
- Brazilian graphic novelist Marcelo d’Salete to give a talk
- CGS Arabic Film Series
- CGS Arabic Film Series
- CMLIT Annual Awards Ceremony
- Curie Virag: “The Garden as a Site of Pleasure in China and Byzantium: What We Can Learn from Comparing Medieval Traditions”
- “Asian American Poetry and the Politics of Form,” Dorothy Wang, Williams College
- Field Work and Oral Interviews - A Workshop on Methods with Jamie Anderson
- "Fine Illuminations: A visual essay on refinement, finesse, and global Cuba," Jacqueline Loss, University of Connecticut
- “The World Unspoken: Kleist, Kafka, McCarthy,” Ian Fleishman, University of Pennsylvania
- “The Strength of Weak Links in the Sinophone System,” Jing Tsu, Yale University
- “Threshold to the Kingdom: The Airport is a Border and the Border is a Volume,” Matthew Hart, Columbia University
- "Mirrored Resonance: Writing English in Chinese Characters," Jonathan Stalling, University of Oklahoma
- “The Labours of Tovarisch: Ezra Pound’s Slavic Worlds,” Mykola Polyuha, Bloomsburg University of Pennsylvania
- “A Group Interview with Nathaniel Mackey,” Nathaniel Mackey, Duke University
- "Plastic: The Desire for a Container," Heather Davis, Penn State
- Qiana Whitted workshop - CANCELLED
- "Resuming Maurice: Maeterlinck and Literary Celebrity," Philip Mosley, Penn State, Worthington Scranton
- "The Disintegration of Civil War Memory in Brown v. Board Literature," Michael LeMahieu, Clemson University
- "The First Hebrew Shakespeare Translations," Lily Kahn, University College London
- "The Rise of the Surface: Cartography, Poetics, and Visual Art across the Early Modern World (France, Germany, Poland)", Katharina Piechocki, Assistant Professor of Comparative Literature, Harvard University
- "Towards an Aesthetics of Stigmata: From Van Gogh's Paintings to Claire Denis's Films," Sabine Doran, Penn State
- "Vernacular Politics, Anglophone Prose: the Early Days of the Indian Novel in English", Snehal A. Shingavi, Associate Professor of English, University of Texas
- Reginald Jackson (University of Michigan), "Showing Up to Withhold: Economies of Enslavement and Spectacular Restraint in Medieval Japanese Performance"
- Comp Lit Luncheon Series
- Marathon Read
- Past Events
- Leo Ching (Duke University), on TBA
- Thomas Lamarre (McGill University), on TBA
- LAC Roundtable (Unraveling the Anthropocene) with Laura Anderson Barbata (Independent Artist) and Darren Ranco (University of Maine)
- Weihsin Gui (UC Riverside), on TBA
- Sookja Cho (Arizona State), on TBA
- Christine Okoth (University of Warwick), on TBA
- Department Awards & Recognition
- Site Navigation
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- Liberal Arts Collective Podcast Series - every Thursday
- Leila Pazargadi (Nevada State College), "Autographics & The Archive: Visualizing Memory & Trauma in Southwestern Asian Graphic Memoirs"
- Zelideth Rivas (Marshall College), “Displaced evidence: Archival research and oral history across languages and cultures.”
- Robin Visser (UNC-Chapel Hill), "Sinophone Anti-Epics of the Anthropocene"
- Rose Jolly (Penn State), on TBA
- 2014 Penn State Marathon Reading
- Aimee Kwon (Duke University), CANCELLED
- Alan Golding, "Avant-gardism Against Itself: 'Conversation' and the Reader Critic in the Little Review"
- Brazilian graphic novelist Marcelo d’Salete to give a talk
- CGS Arabic Film Series
- CGS Arabic Film Series
- CMLIT Annual Awards Ceremony
- Curie Virag: “The Garden as a Site of Pleasure in China and Byzantium: What We Can Learn from Comparing Medieval Traditions”
- “Asian American Poetry and the Politics of Form,” Dorothy Wang, Williams College
- Field Work and Oral Interviews - A Workshop on Methods with Jamie Anderson
- "Fine Illuminations: A visual essay on refinement, finesse, and global Cuba," Jacqueline Loss, University of Connecticut
- “The World Unspoken: Kleist, Kafka, McCarthy,” Ian Fleishman, University of Pennsylvania
- “The Strength of Weak Links in the Sinophone System,” Jing Tsu, Yale University
- “Threshold to the Kingdom: The Airport is a Border and the Border is a Volume,” Matthew Hart, Columbia University
- "Mirrored Resonance: Writing English in Chinese Characters," Jonathan Stalling, University of Oklahoma
- “The Labours of Tovarisch: Ezra Pound’s Slavic Worlds,” Mykola Polyuha, Bloomsburg University of Pennsylvania
- “A Group Interview with Nathaniel Mackey,” Nathaniel Mackey, Duke University
- "Plastic: The Desire for a Container," Heather Davis, Penn State
- Qiana Whitted workshop - CANCELLED
- "Resuming Maurice: Maeterlinck and Literary Celebrity," Philip Mosley, Penn State, Worthington Scranton
- "The Disintegration of Civil War Memory in Brown v. Board Literature," Michael LeMahieu, Clemson University
- "The First Hebrew Shakespeare Translations," Lily Kahn, University College London
- "The Rise of the Surface: Cartography, Poetics, and Visual Art across the Early Modern World (France, Germany, Poland)", Katharina Piechocki, Assistant Professor of Comparative Literature, Harvard University
- "Towards an Aesthetics of Stigmata: From Van Gogh's Paintings to Claire Denis's Films," Sabine Doran, Penn State
- "Vernacular Politics, Anglophone Prose: the Early Days of the Indian Novel in English", Snehal A. Shingavi, Associate Professor of English, University of Texas
- Reginald Jackson (University of Michigan), "Showing Up to Withhold: Economies of Enslavement and Spectacular Restraint in Medieval Japanese Performance"
