You are here: Home / News & Events / Comp Lit Luncheon Series / Events Folder / "Helpless against the tides: The Spirit of the Times in Doris Lessing’s Autobiographies," Maria Olaussen, University of Gothenburg

"Helpless against the tides: The Spirit of the Times in Doris Lessing’s Autobiographies," Maria Olaussen, University of Gothenburg

When Oct 12, 2015
from 12:15 PM to 01:30 PM
Where 102 Kern Building
Add event to calendar vCal
iCal

View the recorded talk on YouTube!

Doris Lessing’s novels can be considered among the most important sources of feminist inspiration for a generation of women who came to be involved in activist work in the 1960s and 1970s. Her descriptions of independent women dedicated to political work are based on her own experiences in Southern Rhodesia (now Zimbabwe) and London in the 1940s and 1950s, and often express a deep sense of disillusionment and critical distance to political activism. Lessing’s troubled relation to feminism was brought out in her 1987 publication Prisons We Choose to Live Inside, based on the Massey lectures of 1985, where she discusses the power and dangers of religious and political movements. In this presentation I want to read Lessing’s autobiographies, Under My Skin (1994) and Walking in the Shade (1997) against the ideas expressed in the Massey lectures with a particular focus on how Lessing depicts the difficulties of depicting and explaining “the spirit of the times”.

Maria Olaussen is Professor of English at the University of Gothenburg in Sweden. She has published on Feminist theory and African literature, especially African women writers. She is the author of Three Types of Feminist Criticism and Jean Rhys’s Wide Sargasso Sea and Forceful Creation in Harsh Terrain: Place and Identity in Three Novels by Bessie Head as well as the edited collection Africa Writing Europe: Oppositions, Entanglements, Juxtapositions. Her teaching and research interests are in African literature, Gender and Postcolonial Studies. She is currently working on a project entitled Narrating the Animal Subject: Concurrences as Narrative Strategy.